This work presents the vortex as a living structure rather than a decorative form. Dense black symbols accumulate in a spiral motion, balancing control and randomness, drawing the viewer into a temporal act of reading rather than a single glance.

South Passage |  2008. Art in ancient civilisations has ever been an integral part of society, culture and religion. From earliest times, architecture and ritual activity wove an inter-play of symbol and form, of image and belief. As such, the viewer and/or participant partake of the initial spirit of creation and summons up existing underlying feeling and connections within his/her own mind and consciousness.

Nasr Warour walks a path he himself has deliberately prepared—having resolved early on to commit his entire being to a vocation that revealed itself at the moment he first aspired toward an art capable of wholeness: an art of totality, where idea and proposition converge and meaning attains clarity.